Ragam Literature

  • Author of :Translotion Theories:East and West, Akka, Songs of a Saint, Abbas:An Island

Sunday, 29 June 2014

Dr. Rajakumar : A New Beginning

Dr.Rajakumar  : A Mantra (Part I)
 “Of course”
“I did not love you”
“But I did not hate you too”
The above mentioned lines were written way back in 1999, recollecting the love and hate relationship between me and a girl. I view Rajakumar, the actor, singer, orator, humanist and nationalist from the same point of view. Even today, I don’t know exactly, whether I loved him or I hated him. But I must say that I felt a great loss when I heard of his death. Writing on the demise of Prithviraj Kapoor, K.A.Abbas says, “It is difficult for me to write about Prithviraj Kapoor in the past tense. He was always so alive, so vital, such an optimist that one can’t imagine him to be dead. And to recall one’s innumerable encounters with him is a painful process.” It is true in case of Rajakumar too.
To be honest, my mother, how is illiterate, named me after Rajakumar. I am now retrospecting all these things, which are nearly 30 years old. Cinema in those days was not everybady’s cup of tea. The aristocrats alone had the opportunity of watching movies. The story of traditional families was quite different, which considered watching movie a crime.
Especially religious Hindu and Muslim families never allowed their women to watch movies. It was believed that a woman who watched movies would get her life spoiled and young girls would go astray, imitating the gorgeous life shown on the silver screen.

My mother bore me in the remotest village, called Telasang, in Bijapur district of Karnataka state. Father of three young beautiful daughters, my grand pa never exposed them to the modern, fashionable style of celluloid world. By the time my mother was married to my father, I don’t know how? she had seen some two or three movies of Rajakumar, one and only hero Kannada films of 1960’s. An elder sister of my mother, my aunt, staying in Shivamoga town, might have informed my mother about Rajakumar. She already had a male baby and who was named after Udayakumar, another famous actor of the time, who was more popular than Rajakumar at that time. My mother took suggestion of their sister when she bore me and named after Rajakumar. Needless to say that we have already passed nearly 50 years after those glorious days of Rajakumar. When I bore a child and started searching for a good name, a three years old female baby came and whispered a name into my ears that is ‘Rajakumar’.
Tell me what does this Rajakumar mean to the child? What this Rajakumar is? Is it mere a name? A symbol or an actor? The one witnessed today and forgotten tomorrow? Can time perish the footprints of this forth standard educated boy? Who ruled Kannada psyche for more than six decades? How did he grow so dangerously, breaking the records in the box office?
How come he was so unbeaten and unconquered, not only on the film world even in the history of Kannada culture, literature and language. We got it confirmed witnessing the meaninglessness of golden jubilee of Karnataka unification without Rajakumar.

      Even though my mother named me after Rajakumar, sorry to say, I did not like his films for, when I started watching Kannada movies, the angry young man movement headed by Vishnuvardhan, Ambarish and Prabhakar was in swing.
Compared to Rajakumar’s moral films, they had a number of fights, new music, modern dressing styles, which easily seized my young mind. Of course, the survey of Kannada film activities was one sided because, then I was not aware of Rajakumar’s films based on Indian mythologies and history. I was not in the position to understand what acting was and who a good actor was. I was rather attracted by the visual effects of the camera, colour and modernism than the message.
It is true, when Rajakuamr entered filmdom, Udayakumar and Kalyanakumar, were the highest paid actors, who charged nearly one lack twenty thousand rupees for a film. They were very popular. I read somewhere that even during his tremendous days of popularity Rajakumar never took more than 50 thousand rupees. He grew like anything beyond the guess of film critics. Rajakumar grew up not merely an actor but he became a mantra, a part and parcel of every Kannadiga: he became symbol of self respect, sacrifice, service and sincerity.

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